Zombie stories have all but saturated pop culture. They’re everywhere—28 Days Later, The Last of Us, Warm Bodies, just to name a few—and thankfully for those of us who love zombies, they’re not going away any time soon. However, since there’s so many of these stories, they face a huge challenge: being both unique and interesting to audiences that have already consumed dozens upon dozens of zombie narratives. Some of them, such as The Walking Dead and The Last of Us, succeed. Others, like the Resident Evil movies, do not.
Of course, there don’t seem to be too many places to take these narratives, and that adds to the challenge. Often, they will follow a group of people attempting to survive in a post-apocalyptic world. Warm Bodies switched this up a bit by creating a cure for the zombies. In The Flesh goes a similar route; it follows Kieren Walker, a zombie who’s been cured of his feeding urges, as he struggles to fit back in with society—but whereas Warm Bodies was a comedic love story, In The Flesh has a much darker narrative to follow. It’s also a giant allegory for LGBTQ+ discrimination.
Right now I’ve only watched the first season of In The Flesh, which is only three episodes long. I also have no idea how I’d never heard of this show until last week, because its first season is quite possibly one of the most amazing things I’ve ever seen.
Spoilers be ahead.